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But at the micro level, this film has scenes where you go, “what the hell just happened?” Partly this was due to inexplicably black cinematography. The basic nature of the macro external objective throws good and bad guys together. Archetypes all: The warrior, the old man, the evil king. First of all, like most big effects movies these days, there is little or no arc and characterization is minimalist at best. But this brings us to the point: the script, which largely fails at both macro and micro levels. Certainly this would seem obscure and the movie makes no effort to explain this horrific and anachronistic execution/torture device (the film is set in 1200BC and the bull was invented in 500BC).Ĭonsidering the script, the acting isn’t even that bad. It’s even the second movie in the last few months to feature the Brazen Bull. Ares (I think) with his huge spiky headdress, Poseidon with a giant conch on his head. Even the overdone costumes of the gods were interesting - although not totally to my taste. For example, the red oracle costumes (partially shown above) were wonderfully evocative of north African and Anatolian women’s dress. It’s not “realistic” or accurate, but it does borrow heavily from traditional costume and such in a highly interesting way. Let’s take it apart. Stylistically this film is pretty damn cool. Is this some sort of modern sentiment refocused? Or, more likely, a need studio producers have to expand the scale of the combat? In any case, Immortals is considerably better than Clash – but probably not by the standards of the mindless masses. Why would an ancient people, particularly one with proof of divine presence, deeply resent this lightweight governance? While there are certainly atheistic writings in ancient times, few espouse a bitter hatred of divinity.

What is up with this theme? I totally don’t understand and it utterly ruined Clash for me. Stylized visuals (although Immortals notches that up past 300 and beyond), sexy female seers, pseudo-wise mentors, titans, incomprehensible writing, and irrational hatred for the gods. My best bet is that the studio wanted a movie to compete with the execrable Clash of the Titans remake (and I’m a big fan of the original).īoth share certain “themes” and elements. How this strange piece ever got made is a mystery. It’s a moral imperative for me to see all films set in the ancient world (although that descriptor is stretched by this historically adrift fantasy).